Excelente 👌

J'ai récemment acheté la console Behringer Xenyx X1204 USB et je suis vraiment satisfait de mon achat. La qualité sonore est exceptionnelle, avec des préamplis micros très clairs et un égaliseur efficace. La connectivité USB est un vrai plus, permettant un enregistrement facile directement sur l'ordinateur. Les effets intégrés sont variés et utiles pour différents types de productions. Elle est également très facile à utiliser, même pour les débutants. Un excellent choix pour un studio à domicile ou des performances en direct. Je recommande vivement ce produit !

Buen diseño. Efectos Buenos.Es una mixer muy completa. Excelente en relación calidad-precio. Considero que es una buena compra. Trae muy buena salida de audio y me convenció mucho

Good

Ya he usado otros modelos un poca más grandes y más caros, pesa este me da casi las mismas funciones. Solo el precio está un poco elevado comparado al precio en EEUU y según el dólar cayó en su cotización.

Excelente consola, muy, muy buena y muy fácil de manejar

Es un aparato caro.. en el tiempo que lo llevo usando (solo para streaming) van dos ocasiones que lo tengo que llevar a reparar.. no si sea casual que precisamente el canal 2 (el cual no uso) se vuela..

Lo utilice para conectar bocinas y mi computadora, esto para poner playback en un videoclip ya que teníamos una locación grande. No e podido acomodarlo en la oficina para seguir probándolo pero me ha funcionado muy bien. Es bastante resistente así que su durabilidad es buena.No es fácil de usar ya que intente usarlo como el que tenemos en el trabajo y no funcionaba con algunas bocinas, lo malo es que no existen muchos videos donde te explican varias cosas.Su relación calidad-precio es buena ya que en varias tiendas departamentales están casi el doble de precio y sin muchas opciones de pagos.

es un mixer, estupendo! con conexión usb, es muy ligera, fácil de usar, un buen sonido, su compresor es más que aceptable, el eq formidable! y su fx's son algo digno de aplauso...en general es un gran mixer...ah! el soporte técnico insuperable! ...una gran opción!

Buen equipo 100 recomendado

The quality is great.... we used a similar NON-USB model for our band. It is still running 10 years later and I tried that old model for podcasting and it worked great.So decided to update.I tried and tried to get this new 1204USB version to connect to my Windows 10 laptop, as also two other people, and we never could get it to connect to Audacity. so sent this back... But it was one awesome mixer.I ordered the 1202USB instead, and after hooking it up with some time and fiddling, I realized our problem with the 1204usb was just me/us.It was a simple few settings on the computer, and also a button on the mixer i had to push down. and one tiny setting on Audacity and the 1202 connected fine. I'm certain the same procedure would have resolved out 1204 connection issue now that I understand it all. I now wish I had kept the 1204USB.It was a very nice Mixer.But on the flip side, as much as I liked it, and am now with the 1202USB I ordered.i now realize this smaller unit is much more portable, with not a deal breaking loss on input/output flexibility. Simply put the 1204 is heavy and as much as I liked it, i do not want to cart it around. It is a solid and heavy unit. So I will stick with the 1202USB for that reason. But I really really liked the 1204USB the best with sliders etc... But the sound quality is no different between the two, and i saved myself $115 with tax.I also like the power switch on the 1204... the 1202 has non.Your call....But You will not be disappointed. It is a sold and functional unit.

-----7 Year UpdateEverything on this board still functions perfectly, and I keep it powered on basically 24/7 (mostly because I can't ever remember to turn it off).Some of the faders crackle as they are being used and some of the the mute/unmute buttons will keep a channel (left/right) muted until you bump it - BUT this is because I haven't cleaned and lubed it. this happens to ALL mixers, look up "fader cleaner" if you want to go down that rabbit hole. I haven't cleaned it because it works flawlessly for my needs which is currently just using it as an XLR to USB interface for conference calls. (and also because I'm lazy)-----This mixing board is really great, and the price is right too. It boggles my mind that someone spend nearly the same amount on a USB interface as this entire mixing board which also interfaces via USB.Regardless, the reason for my review is actually a warning*********************************************************************WARNING: DO NOT INSTALL THE BEHRINGER DRIVERS FOR WINDOWS 7Reason: While troubleshooting a hissing sound in my audio (turned out to be a capture card... still isolating the issue, but not related to drivers) I decided to install the "official" Behringer drivers per the recommendation of a random person on Google. TERRIBLE idea. Immediately, I noticed a huge reduction in the number of recording and playback modes over USB, but after some time I realized my system had become wildly unstable. I disabled my onboard sound in the BIOS thinking there was some type of conflict with my onboard sound, but then found out the issue was related to the drivers I had installed (mind you, the "default" Windows 7 drivers worked PERFECTLY FINE). After numerous blue screens and audio cutting in and out, I began using the inputs/outputs to my sound card bypassing USB all together. Seemed a little silly as a huge selling point was the USB interface. Even though I uninstalled the drivers and uninstalled everything I could find related to the drivers, I could not get the drivers completely off of my PC. I did get to a point where the device wouldn't install at all, but it still recognised it as "BEHRINGER blah blah". This told me that somehow Windows in its infinite wisdom was still identifying the device differently than it used to (the default Windows driver that's assigned labels the device as "2- USB Audio CODEC").Finally, I searched my entire hard drive, and registry, for "behringer" "busb2902" and "busbwdm" (with the sound board uninstalled and unplugged). I deleted literally every reference I could (warning: this is very wreckless, but I was prepared to reformat my PC anyway because I intend to sometime soon). I then rebooted into safe mode and did it again to verify I did not miss anything. Once I booted back up, finally success! I am back on the default "2- USB Audio CODEC" drivers and am not experiencing any of the problems I was as a result of the erroneous drivers.Now, you may be thinking that others have not had the same problems with the drivers. This may be true, but I stick by my advice to stick to the default drivers for 2 key points:1) The default drivers work absolutely fine, so there is no need to install the ones from Behringer, so why take the risk?2) The default drivers offer numerous more configuration options and recording modes than the ones supplied by Behringer, oddly enough.*********************************************************************Regarding the unit itself, I do like it but there are some things to keep in mind.Comments on the USB interface:The USB input is strange, and it's not easy to control. The only thing you can do is bus it into your headphone monitoring, and you can bus it back out to the master, but that's it. No volume controls, no EQ, and you can't use fx/aux on it either. If you're using ALT 3-4 as a submix, you also have no option of sending it to that submix. It's quite frustrating and difficult to use. With regard to USB out, with Behringer's drivers you just have an option for 44.1K or 48K output and it's based on the main bus. Again, no volume option what so ever. This can be a real pain if you need to actually use the main mix out to something, and simultaneously use the USB output as well - this basically makes it impossible to mix it so that they are both at optimal volume. You'll inevidibly be stuck with mixing one correctly, then the other one you will have to deal with it being too loud or too quiet - and on that note, it does seem to go in a little hot. You can control the recording volume within windows, but this isn't optimal and riding levels isn't going to be an option. Would it have been so hard to make a button to pipe the USB into channel 7/8 so that we could have some control over it? Finally, this is a prosumer device... why can't it support 96khz on the USB bus? would that be asking too much?Comments on the board itself:The preamps in this board are better than expected. As with most preamps, they do tend to get some pretty gnarly noise in the last 10-20db of boost, but you shouldn't be pushing them that far. Even for my naturally quiet shotgun mic, the preamps offer me plenty of headroom that I don't need to boost that high on gain to attain unity gain. I will warn though, the preamps in this board seem to color the audio add a lot of warmth to the audio (typical of tube-style preamps). I like it a lot, but if it isn't what you were expecting be warned (again, this is typical of tube style preamps, so you wont notice a think if that is what you typically use).The built in compressors worked exactly like i thought they would - decent, and wonderful for live events, but best to leave them off for recordings as you can do more controlled and precise compression in post processing. Still, this feature is absolutely outstanding and works well! The EQ is decent and what I would expect from a board of this price. Sure I would have preferred a mid-sweep or more EQ positions, but I don't know that I would have been willing to pay the price for those features.The AUX channel is wonderful, but I was disappointed to find that it is attached to the master mix. For example, if something is turned down on the master mix or muted on the master mix, having it turned up in the aux channel will not send any audio through (even with the pre selector enabled, which I was sure would rectify the problem). For this reason, I couldn't use the AUX channel the way I was hoping and has kinda been a real bummer because I am now needing a solution for said problem. I do find it a bit odd that it's mono out stereo in, but I guess that makes sense when used in the context of external sound processing.The FX channel is also wonderful, and the on board sound effects are all quite good. What I would expect to find on any sound board I've used in my day really, from many reverb settings to a pitch shifter your basic FX are all there. I thought they did above and beyond on this for such a cheap board, I found myself impressed (but the FX I really don't have a need for unfortunately). I believe the FX channel does not behave like the AUX channel and sends regardless of which mix it's in (pre-fader, one might say). I haven't confirmed this yet, but am in process of exploring this as an alternative to using AUX as I don't need the digital FX anyway, as nice as they are.Panning is well... panning. However, I am glad that it exists on this basic sound board. The phones mix has an amazing amount of power, and I typically keep it below 25%. I was glad, because this is a shortcoming of some boards. Nothing more annoying than mixing for a band/concert and not being able to hear your monitoring headphones over the mains. Doubt that will ever be an issue with this board, it's got quite a bit of volume. Granted I wont be needing the board for this type of use, but if you did decide to use it in that fashion, I'm sure it would perform admirably. I am annoyed by the double sliders for the main mix and alt 3-4 as I always am, but I guess I see why it's separated that way (couldn't we have a panner knob for the main and alt 3-4 rather than individual sliders?). I have seen this in so many sound boards I've used that I can't really fault them for it though. Surely there is a practical reason for this in the world somewhere - but I have never ran into it in my experience.One of the major selling points to this board was the ability to mute and use pre-fader listen to set my levels correctly. This might be the cheapest board out that has those features. Finally, I would have liked an option for 1/4" output on the mains. Granted it's typical to use XLR for mains on boards, I would have really liked thatFinal Conclusion:For the price, this board is outstanding! The features are really quite good, and while I do have my gripes with the board, so far all of them have been minor. The USB interface is an obvious selling point, and while I was hoping for a lot more out of it, it does do the job. The amount of features on this board is truly amazing from single knob compressors, to EQ's for each channel, and AUX/FX sends with a decent on board FX processor... I am very satisfied at this price point. Had I paid over $300 for this board though, I would have expected more and not been satisfied. This does truly make me wonder why people pay so much for USB preamps etc when you can have this entire board with way more than a simple preamp for marginally more money.

　購入理由は電子楽器、マイク、ＰＣ音源等のプリアンプ、ミキサー、サウンドエフェクターとして。欠点は例えばＵＳＢ-Ａｕｄｉｏ、ＲＣＡ入力のコントロール、ヘッドフォンでのモニターができないこと。この問題はＢｅｈｒｉｎｇｅｒのＵＳＢ-ＡｕｄｉｏドライバーソフトをアンインストールしてＹＡＭＡＨＡ　ＭＸ49用のＵＳＢ-ＭＩＤＩインタフェースがＵＳＢ-ＡｕｄｉｏをサポートしているのでＭＸ49シンセサイザーの出力をつなぐことで解決できた。後はＰＣにすでに登録されているＳＯＮＹ　Ｘ-アプリの音楽データを再生しながらサウンドエフェクトのかけ方を覚えればＯＫ。ある程度のエフェクター用語はインターネットで検索すればわかる。ただ、ケーブルがＸＬＲタイプのメイン出力とかマイク入力、今ではかえって普通ではない6.3ｍｍモノラルのフォーンケーブルだったのでそちらの手配、出費がかさんだ。楽器関係では当たり前らしい。追記1　参考書として、Rittor Musicのシンセサイザーの全知識（安齋直宗著）をあげておきます。エフェクターに関する記載ものっています。この本の記載でエフェクタ用語、および仕組みと効果がわかります。単純な例：COMP/コンプレッサ−とはある決められたレベルより大きい音声信号を、設定した比率で圧縮するもの。音の減衰部分を強調する。ある決められたレベルをスレッシォルドと言いボリュームで可変する。なおCOMPはデジタルエフェクタではなくアナログ回路で実現されている。　追記2　MAIN OUTPUTSへのFXエフェクト量のコントロール方法：まずMAIN MIX の上の方にあるMAIN MIX ALT3-4と書かれたプッシュユSW をオフ（上に上がった状態）、またMAIN MIXにルートするチャンネルのMUTE SWをオフ（上に上がった状態）にしALT 3-4の上方にあるFXボリュームを一旦センターに設定、MAIN MIXのFXボリューウムを反時計方向に回しきれば、FXエフェクトはかからなくなる。なおMUTE SWをオンしたチャンネルはALT 3-4OUTPUTSにルートされる。MAIN MIXの上の方にあるFXボリュームを逆に時計方向に回せばFXエフェクトは強くなる。同様にALT 3-4 の上方にあるFXボリュームを時計方向に回してもFXエフェクトは強くなる。 またFXエフェクト量は各チャンネル毎についているFXボリュームによっても各チャンネルごとにコントロール可能。FXエフェクトをかけたくないチャンネルなら、そのチャンネルのボリュームを反時計方向に回しきっておくことによりFXエフェクトをかけないように設定可能。クイックスタートガイドでは各AUXボリュームを操作してとなっていますがFXエフェクトに対して何の効果はありませんでした。　またクイックスタートガイドの表紙にbehringer.comにてマニュアルをチェックとなっていますがアクセスして出てきたのは全くクイックスタートガイドと同じものでした。追記3　ただ今、宇多田ヒカルの曲をホールの音場にして聞いています。同様に教会のような音場条件もシュミュレート可能でしょう。実際の場所は８畳位のリビングですが現実的に部屋をホールにしたり、教会に行ったりしなくてもその音はだせます。追記4　USBを使わなければRCAジャック入力に信号を入力して聞くことができます。例えばウォークマンをつなぐ。USBを使うとRCAジャック入力は使えなくなるとのことです。また他のチャンネルチャンネルと違いプリゲインの設定を含めこの製品でのエフェクトはRCAジャック入力に対してはかからず、さらにヘッドフォン端子のボリュームのわきにパネル表記されている2TR/USBの入力スイッチは無効でヘッドフォンによるモニターはできませんでした。モニターはスピーカにて、ゲイン設定は外部機器側出力にて行うことになります。逆にエフェクターのかからない素直な音で聞けます。　　　追記5　BehringerのUSBを使わなければYAMAHAのUSB-MIDIが有効になりDAWソフトを有効にできると思う。ただしあくまでもMX49に対してのみ。またUSBインターフェースどおしで競合の問題が発生するようです。個人的にはYAMAHA MX49にバンドルされているDAWソフトを有効可したい。またYAMAHAのUSB-MIDIはUSB-Audioをサポートしているようですが変に音切れを起こすようです。PCのAudio OutよりMX49のAUX INにつないだ方が音質は良いです。ただしそれではUSB-MIDIの機能が使えないことになります。困った・・・　　　　　追記6　入力5/6、7/8の上の方にUSBのロゴがついていますがこれによるUSBの効果はこれらの入力チャンネルに期待できません。多分USBポートがついていますというおかざりでしょう。全体として言えるのは機器としての機能は大変豊富、ただしパネル面の表記、クイックスタートガイド等の記載等不備があるが大目にみてやれば価格以上の値打ちがあり結構使える。個人的には大変気に入っています。でも初めて使う人は使い方の理解、クイックスタートガイドの不備（用語を含め）に面喰い苦労するでしょう。