En el paquete solo venia el lente , el parasol/Filtro UV no.

Das Fujinon XF 16mm bietet eine sehr interessante Brennweite an, die ein Grenzgänger zwischen Ultra-Weitwinkel und Weitwinkel ist. Die effektive Brennweite (~ 22mm) erinnert an Smartphones und ermöglicht damit ein sehr intuitives Photographieren. Die Lichtstärke ist eine große Besonderheit der Linse, mit einer Blende von 1.4 fängt es gekonnt Licht ein. Die minimale Fokusdistanz von weniger als 20 cm ermöglicht einen ganz besonderen Look bei Nahaufnahmen, mit viel (teils jedoch unruhigen) Bokeh und einer geringen Tiefenschärfe. Der Autofokus ist ausreichend schnell, macht jedoch Geräusche von schmiergelndem Glas. Insgesamt besticht die Bildqualität durch Schärfe und Kontrast. Bei offener Blende neigt die Linse jedoch zu Vignettierung und vor allem zu chromatischen Abberationen. Die Linse behält auch bei direktem Gegenlicht die Kontraste bei und ist damit bestens für Landschaftsphotographie geeignet. Insgesamt überzeugt die Vielseitigkeit und die Lichtstärke der Linse. Bautechnisch gut gemacht ist sie jedoch deutlich größer und schwerer als z. B. die F2er Reihe. Der Fokusring liegt gut in der Hand. Kurzum macht die Linse verdammt viel Spaß. Leider ist sie mit 850 € teuer und bietet damit kein gutes Preis-Leistungsverhältnis - bereuen wird man einen Kauf jedoch nicht.

Hasta el momento lo que más me gusta es que a pesar de ser una angular el nivel de distorsión es muy bajo , además nítido en extremo

Excelente

After reading many reviews I decided to buy the Fujifilm 16mm lens and was impressed immediately. This is regarded as one of the greatest lenses ever made and for good reason.

One the best lenses out there.Sharp, extremely sharp. CA-NI-SO are no where close to deliver the price to performace to build quality ratio of FUJI:Image quality: One of the best out there. the F1.4 will blow your mind away with sharpness. (Pixel peepers you gonna love it). There is no complaint in the image quality, color rendition and contrast department.Focus speed: i would say is not Fast and is very satisfactory. But come on who uses an extra wide for sport or action photography anyway.Other qualities: This lens can double as a macro lense too. Believe me this does a great job at Macro photography too. Check out samples online.Build Quality: It is a metal build. No other lens/camera maker have a similar Fstop focal length at this price point. Built like a tank.Uses: Street,candid portrait, event , marco , night city life etc.(Multi Purpose)

Este es uno de los que debes de tener si usas el sistema Fuji. El único pero es que hace algo de ruidos al encender y enfocar, pero la calidad de construcción, la óptica y los resultados de las fotos son increíbles! Vale totalmente lo que cuesta. Cabe mencionar que puedes acercarte mucho al objetivo, es casi un lente macro súper wide

Before I give my opinion on this fine lens, it might help others if I explain a bit about how I ended up coming to the conclusion that this is perhaps (it's early days) the best lens I've ever used.I've been a Canon shooter for years, initially as a hobby documenting my family growing up and eventually turning into a career. I shoot weddings and recently commercial/PR events. My main camera has been a 5D Mark III for the last couple of years, and I own most of Canon's finest lenses. I prefer primes, and I own the usual focal lengths (35mm, 50mm and 85mm L versions), but I also have the 16-35L ii, 24-70L ii and 70-200L ii. I have a pretty sweet collection of Canon's finest lenses.A while ago I began to realise that, perhaps due to my seeing the Canon and bag-full of lenses as "work things" and partly because my back was getting knackered from years of carrying them around, I wasn't bringing my camera with me on family outings as much. The whole reason I got into photography was to document my family life, so I needed to do something about it.At around that time Fuji had released the X100, so I bought one and fell in love with it in some (many) ways, but ultimately it was just a bit too slow to cope with taking photos of my hyperactive offspring. I sold it and resigned myself to a life of carting a DSLR around on family outings in between trips to the chiropractor.Skip forward a year or two and I borrowed a friend's X-T1 and the XF 35mm 1.4. I immediately loved the camera. The lens didn't immediately grab me as much, perhaps because I was used to how a 50mm f/1.4 looked (the equivalent on the 5D I was used to) looked, but I knew there and then that I loved the Fuji mirrorless system, so I bought one along with the 23mm f/1.4 and the 56mm f/1.2.I used the X-T1 with those two lenses initially as my "fun" camera setup, with my wheely case full of full frame Canon gear being my workhorse equipment. Until one day I brought the Fuji and those two spectacular lenses along to a wedding gig. I pretty much used them all day long, until the evening dancefloor action when I needed flash. Since then I've found myself using that same Fuji setup for the majority of the day on a handful of weddings, with my bag of Canon gear sitting there looking rather sorry for itself.I'd pretty much made the decision to move over to using a Fuji system as my main set of equipment, but the rumours of the X-T2 coming out soon sealed the deal. I'm on board. If anyone shooting weddings is in any doubt as to whether they would be taking a step back from using a 5D Mark III (standard equipment for most Canon wedding photographers), just search Google for "Fuji X Wedding". There are some people out there doing incredible work with these little cameras.Anyway, that was quite a longwinded, totally off topic ramble.I've always been a prime shooter, but the widest I'd ever used was the 35mm on the full frame Canon system, always using the 24-70 2.8 or 16-35 2.8 for wider shots. I never got on with them as I tend to work with available light, but I could never justify buying a the Canon 24mm 1.4 as it was so crazy expensive, and the 24-70 ii was soooooooo sharp. However, with a widest aperture of 2.8 it often wasn't fast enough to deliver the goods when I wanted those wide shots in low light (bridal prep, first dance when not using off camera flash etc).I decided to give the Fuji XF 16mm 1.4 a go. It arrived yesterday. Already I'm pretty much decided that this, alongside the X-T1, is my favourite camera/lens combination for the way I shoot. It is as sharp as any Canon L lens I've used, perhaps shaper than anything other than the 24-70 L ii, and the way it renders out of focus areas is simply sublime. I didn't expect there to be a huge difference between a crop sensor 16mm 1.4 lens and a full frame 24mm f/2.8, but there most definitely is, at least with this lens. You get that "prime pop", but with a wide field of view. Somehow it seems to blur out the background better than it should do.I don't know how they've done it, but Fuji have created what I consider to be one of the finest prime lenses out there. For "documentary wedding photography", whatever that is, it is perfect. Likewise as a family-man's lens, it's perfect.I love every Fuji lens I own, but after just two days of shooting I know this is my favourite. I absolutely adore it.As soon as the X-T2 is released I'll be buying two of them and selling all of my Canon gear, using the 16mm, 23mm, 35mm and 56mm for my work and personal photography. All of that can fit into a standard sized rucksack. Plus I'll be saving about £60 a month on chiropractor bills. Winning.Fuji - I salute you.

Oh man! When they say this is the BEST Fuji lens they are not lying, very sharp, wide and awesome, if you are a fuji fan, you have to try this lens!