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No hay artículos en el carroJavier
Comentado en México el 18 de enero de 2025
Lo mejor
Scott Alexander
Comentado en los Estados Unidos el 1 de mayo de 2024
This thing is wild. It will take you places musically that you wouldn’t have gone otherwise. This is a generative music machine. My only complaint is that it needs better MIDI in and out.
Ricardo
Comentado en México el 8 de junio de 2023
Me llegó perfecto, en tiempo. La calidad del producto, el empaque, el manual, un poster, cartoncillos de parches de sonidos, etc. De lo mejor!. Moog cuida todos los detalles en su producto. EL sonido impresionante y la calidad de los botones el tacto, de lo mejor.
christian
Comentado en Italia el 26 de marzo de 2021
Oggetto ricevuto in anticipo, venditore TOP! Pienamente soddisfato! Grazie
Mattie Gorman
Comentado en el Reino Unido el 22 de marzo de 2021
Incredibly bonkers piece of musical kit, maybe not for everyone, however really unique and classy sound.
Eric Morello
Comentado en Canadá el 9 de noviembre de 2021
As always with Moog, you get a quality instrument with great sound in awesome packaging. Not unlike for their DFAM, Moog seemed like they were trying to create a unique synth that stands out from the rest and the Subharmonicon does not disappoint.
Martin Smith
Comentado en el Reino Unido el 17 de noviembre de 2020
The Moog Subharmonicon is a prestige bit of kit. Like the Mother-32 and DFAM before it, it’s heavy, clad in wood panels and a strong aluminium housing and with the highest quality dials, buttons and ports. It is very solid and like it’s cousins I expect it will be hard wearing.And it sounds like a dream!It’s got two functions: firstly, a simple synth - two oscillators, each with two linked sub-oscillators; mixer controls; simple envelopes for the filter and the amp, and the classic Moog low-pass ladder filter with that squelchy resonance we all know and love. Secondly, it has two little sequences - only 4 steps in each - but these can be coupled to any of four rhythm generators so that the two four-note sequences are fractured and stuttered, and can resonate or interfere with each other. It’s a bit like a delay effect but more musical and fully analogue!This little box’s true innovation comes in the quantize feature. This constrains the frequencies of the oscillators so they are always on a whole note (or semi-tone). This means when you start the sequencer the intervals you hear are always interesting. You still need to seek out rewarding patterns by tuning the sequencer steps, or tuning the oscillators themselves, but this is part of the fun of using an analogue synth: you need to explore and experiment.There’s a comprehensive patch-bay too, with 32 inputs and outputs, so you can experiment sending the rhythms and frequencies to modulate the filter, the clock, the frequencies themselves and so on. It works very interestingly when paired up with the Mother-32, sounds astonishing through the Moog Grandmother’s spring reverb and I’m looking forward to seeing how it can connect to other semi-modular gear.It’s costly but I know I will get years of inspiration from this. The lack of an on-off switch is a pain: you either need to wrench the plug from the socket or remove the power cable from the back of the unit. I would have replaced some of the ports - perhaps an output for all six oscillators/subs is a bit much, I would have preferred a envelope decay patch or a mult to mix CV signals.The manual is informative but also lovely in itself and 5 little patch cables are included to get you started. Even the cardboard box it came in begs to be kept safe somewhere.It was well packaged by the supplier, arrived much faster than expected and the supplier (Bax music) remembered to include a UK power adapter for me (only US and European styles in the box).
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