Excelente par de luces de entrada, si buscas unas luces para una produccion inicial para un lugar cerrado chico esta es tu opcion. No las recomiendo para espacios abiertos, si funcionan mas o menos pero no son ideales. Las compre hace años y aun las uso para para videos domesticos.

Dan mucha luz, y puede regularse mas fria o calida, no traen baterias pero puedes comprarlas por aparte o mantenerlas conectadas, los cables de conexion a luz no son muy largos

No incluye aspas ni baterías, y los tripies son muy delicados. Pero cumplen con su objetivo mientras tangas dónde enchufarlas.

Iluminan muy bien para espacios pequeños y medios. Dan un muy buen plus para generar contenido

Me gusto que son muy prácticasExcelente para video y foto si eres principiante y quieres un buen resultado

I discovered this from another make up artist when we were working together. She pulled out these lights and I was like what are they? They were so small and compact, but very bright. So I decided to grab them myself and I love them. They’re lightweight, they come in their own little carrying bag. The tripods are much bigger and heavier but they’re awesome, very solid. They’re not gonna tip over and they’re very tall. I’m 5’8” and the tripod is taller than I am.

Tienen buen tamaño , pero esperaba más intensidad en la luz , al tener la opción de luz cálida , fría o ámbar . Al elegir solo la fría o calidad la intensidad no es la misma que si eliges ámbar . El cable también es un poco corto . Pero si se sienten de buena calidad , tanto las luces como los trípies y que cada una viene en su bolsa

Es igual a las fotos, llego en tiempo y orden. Me gustaron mucho las luces, soy maquillista y me han ayudado mucho

Son luces profesionales , muy potentes , buena calidad de material , yo si les recomiendo qur vale la pena invertir en estas luces si eres maquillista o si eres de fotografia son exelentes y super las recomiendo

Bought these lights to help out with YouTube videos. I really like how they were so easy to set-up. Literally took me 2 minutes. They are also smaller than light boxes, which is so convenient when moving around. Also, the brightness was on point! My YouTube videos are looking awesome. I’m so excited to keep using these lights for my videos.

I'd gotten another slight variation of the Neewer light so knew what to expect. These put out an amazing amount of light for their size, and I've literally tossed a few of my older lights in favor of these. There's much less heat, cheaper to run, far less bulk, and zero cool-down time. The light temperature and light intensity are very easily controlled and the range is spectacular.The removable Fresnel lens disburses the light nicely, and with a pack of various color gels, I can get almost anything I want for a close shoot. It doesn't replace everything of course and they are definitely not the only lights you should have. Doing it again, I would probably opt for a barn door on all lights, but these are fine for how I use them, which is to just add a lot of light to the room.The downsides to this purchase aren't surprising. The carry packs are just too small for these, making it more of a chore than it needs to be to pack them up. The padding on the case is also a little light in my opinion. All that said, and while I won't be treating these carelessly, the price on these means I won't be overly upset if someone tripped over one and damaged it.

These are pretty basic lights with good, but not professional, build quality.Colour temperature: These have two sets of LEDs, one set is balanced for 5600k (daylight) and the other set is balanced for 3200k (tungsten). Each set has a separate dimmer to adjust brightness. There is no readout of actual kelvin when mixing the two, so the only accurate way to know the actual colour temperature is to use only one set.On/Off switch: The on/off switch has a single "off" setting, on a separate "on" setting for either battery power or the external power adapter.Manual: The manual is really basic, and doesn't describe the above at all. While it isn't hard to figure out, it would have been good for the manual to include instructions for those. The manual also doesn't provide any information about what batteries are to be used with this. Battery information is completely absent from the manual and the light itself.Build quality: Build quality seems to be fairly good. the body, U-bracket, and stand receptacle are aluminum but the rear control panel containing the battery holders, brightness knobs, and on/off switch is plastic. Since the rear control panel protrudes from the body there is a likelihood it would receive a blow and suffer damage if it fell on its back or was impacted from the rear. Even though the case is padded, caution would be in order if you planned to transport these regularly.Light stands: The included light stands are not professional quality, having all plastic fittings. They are lightweight and inexpensive, and are adequate to support these small light panels. Again, they'll be fine for occasional use or in a home studio but don't count on them to last if regularly used on location.

I teach cinematography and work in the industry for the past 35 years. I typically use the 'higher priced spread' when doing commercial work but wanted to see if some of the latest 'cheaper' LED video lights were what they say. Spoiler alert: yes and no. Here's what an $850 cinema color meter revealed about these lights. What I could not measure was the full spectrum of light. This is the area where LEDs have the biggest issues. The units that have both high CRI and even color spectrum get expensive fast.Color temps: (This is an average of three readings)- full warm=3220k +7 green- full white= 5220k +8 greenSo close but not to advertised spec. But close enough for 90* of the work you will do and very good for YouTube work. The '+green' is important. Most cheap-o led lights have lots of green. This is such a minor amount and there isn't a magenta filters that low in density to correct the + green.- Both at 100% = 4160k*Now for the light output. This is in Foot candles which is industry standard. I did 3 tests. One center of light beam at 3' and 6'. One off angle 45*.Center of beam- 3'- white = 320fc- warm= 300fc- both 100%= 480fcCenter of beam - 6'- white= 75fc- warm= 80fc- Both 100% = 158fcOff axis at 3'-- warm = 40fc- white = 54fc- both = 83fcAdd included diffusion filter: (Note: doing a A-B test with industry standard 216 diffusion proved that the included diffusor is identical, which is great)- both 3' @100% = 158fc- both 6' @100% = 80fcSo what does all this mean?- The lights are 'beamy' without the diffusion. If you shine them on a wall across the room, you will notice that the center of the light beam will be brighter, and it is consistently bright across the beam, which is good. Then there is a fairly hard falloff as you measure further from the center of the beam. This is consistent with this type of 'multi-bulb' LED fixture when priced below $500 each. This 'beamy' light tells me that the LEDs are accurately placed on the circuit board, all aiming the same direction.- The provided sheet of diffusion does not color the light and softens the light considerably. It's nice and even light.- The fc falloff as you move away from the light is very typical for LED and florescent light fixtures.- The ability to hit the targeted/advertised 3400k (tungsten match) light color can only be done with by mixing the light colors. This of course, gives you a bit more light output than just the warm bulbs alone. I like the findings that the warm-only is slightly warmer than typical tungsten lights, which gives me the ability to go 'warmer' if the shot needs it.- The ability to hit the advertised 5600k is disappointing. The unit mustered 5220k which is a tolerable 200k lower/warmer than typical daylight fixtures and substantially lower/warmer than most cinema lights which produce 6500k. To match a better daylight light fixture you will need to add a 1/8th Color Temp Blue (CTB) filter to this light...and lose some output light power.Construction and features-These lights are well built. Solid. The filter slot is open on both ends so it makes it easy to put in the filter. That being said, it can slide out just as easy. Make sure you have one of the tilt knobs set to block the filter from coming out. The fixture itself has an extra set of threaded holes on the side so if one strips out (not likely unless you wrench-hand the tilt lock), you can move the the bracket to the second set. There's also 4 threaded holes on the face of the fixture which will be convenient for mounting some standoffs if you want to move the filter further from the fixture. This same fixture is offered by several manufacture names and one has the standoffs included.The knobs are metal as is the bracket and stand mount. The stand mount is industry standard 1/2" (baby pin) size.The unit will run on one battery. It does reduce the light output by a 'titch' so no real issue. With both battery slots filled with the larger 970 batteries I ran the unit at full power for 90 min. The smart charger indicated that they still had 50% left. This is really good battery life for one of these fixtures. The dimmer electronics was flicker free (from the camera perspective) throughout their entire range.The bags the lights came in are no great shakes but more than good enough to transport these lights safely. There's 4 wide, elastic straps inside which will hold the wall power unit and it's power cord, and 2 of the larger 970 batteries. The lights came with a white, dense foam protection for shipping, inside these bags. If you cut a bit off, radius'ing the corners, it will fit nicely back in the bag for daily transport protection.Like others have said, the design flaw in the power supply is the cord from the transformer to the lamp head. It's to short to allow for the weight of this to be supported on the floor. I purchased some hook-n-loop cable ties and affixed it to the power cord side of the power supply so it can be hung on the stand.The light stands-These are they typical Chinese folding stands. Not good enough for commercial work, but more than adequate for you home studio or limited field work. I will be purchasing a bag for these that will hold the two 15' extension cords I purchased. The stands do have a spring in the bottom of each of the extensions which will cushion the stand coming down if you have a heavier lamp on top. It won't just hit bottom which typically blows tungsten bulbs.Conclusion-Outstanding value for the price. If you want more light output, then buy a fixture that has all one color temp. bulbs, and use gells to correct to another color temp. Getting the all daylight units puts out the most fc by the way.These are great for lighting in limited spaces and two or more could be rigged side-by-side for a nice wall-of-light on your subject. It would be a no brainer to build a bracket holding 2 or 4 of these supported between the two light stands.The biggest down side is the daylight color temp not quite getting up to industry daylight readings. And some DIY barn-doors would help control the light spill. Barn-doors typically don't do much for these fixtures, but they do help if they are 6-8" long. You could make something like a monitor hood and velcro it to the light. On set, we call these 'snoots'.To get the best color rendition with your camera, make sure you do a white balance on a piece of white paper or gray card. Your camera will then reduce the very slight green these lights put out.