Reich: Different Trains / Electric Counterpoint [Importado]

オリジナルより音質良いです。再発あるうちに買っておきましょう。

Un álbum legendario en la discografía de Steve Reich, con la colaboración de Kronos Quartet y el extraordinario guitarrista Pat Metheny ¡exquisitez sonora!

I purchased the vinyl version, having long been familiar with the CD and having bought the tape cassette on its original release.So this is very familiar music to me, as is most of Mr Reich’s incredible and varied oeuvre. I think this release is cut from the original master and while it come from the early days of digital technology, the analogue recording is warm, well separated and immersive.The music in Different Trains combines Mr Reich’s early tape loop experimentalism ( heard on “Come Out” for example) with his gamelan/African influenced middle period, seemingly influenced by Kraftwerk and Pink Floyd as anything else. So here we have vocal samples matched against instruments that mimic the tone and rhythm of human speech. This is astonishgly innovative yet at the same time moving and warmly human. Multitracking, the Kronos string quartet repeats, delays and varies the vocal lines to give the listener a deep hall-of-mirrors effect. The liner notes reveal Reich’s formative years on trains between US coasts - The polyrhythmic clickety-clack runs through his entire canon; and the link between his journeys across America and the far less pleasant journeys of similar ages children across Europe during the war is moving and important.In Electric Counterpoint Pat Metheny plays against multiple recordings of himself to various effect: ethereal emergent harmonics; African dances; what sound like Celtic jigs; Indian drones; jazzy chords and other startling components all drift in and out as the arrangement gloriously unfolds. This wouldn’t work without Steve’s ear for simple, beautiful and accessible melodies. The innovation in bringing in taped performance may one day be seen as the emergence of the studio as an instrument in the classical world (although there is also musique concrete/ Stochausen and The Beatles/George Martin or Frank Zappa as pioneers in this field). No surprise that this music was quickly understood and sampled by The Orb but that’s another story.If you enjoy Different Trains, try The Cave.If you like Electric Counterpoint, seek out the earlier Vermont Counterpoint and New York Counterpoint which are just as rich and lovely.

"DIFFERENT TRAINS" (1988) is one of the better known works by Steve Reich (1936 - ), an American composer who helped develop minimalism in music, during the mid to late 1960s - along with La Monte Young (1935 -); Terry Riley (1935 - ); Philip Glass (1937 - ); later John Adams (1947 - ) - better known for his choral work titled "On the Transmigration of Souls" (2002), commemorating the victims of the September 11 2001 attacks on the Twin Towers, and also for the opera "Nixon in China".[Incidentally, has anyone noticed that many minimalist composers have very short names?]Some of Reich's other compositions - besides "Electric Counterpoint" (1987), also in the CD - are: It's Gonna Rain (1965); Come Out (1966 ); Music for 18 Musicians (1974-1976); Triple Quartet (1998); Double Sextet (2007); Mallet Quartet (2009); and WTC 9/11 (2010).DIFFERENT TRAINS (1988, approximately 26 minutes long). Recorded in the CD is the original interpretation of the work by the Kronos Quartet, an American group based in San Francisco. The same interpretation: (1) won a Grammy Award in 1989 for Best Contemporary Classical Composition; and (2) was selected as the finest among a number of recordings of the same work in the June 2014 issue of the BBC Music Magazine, "Building a Library" chapter.Different Trains is a three-movement composition for string quartet and tape, which Reich conceived, based on his experiences as a young child (between 1939 and 1942), when he frequently rode trains from New York City to Los Angeles and back, in order to spend time with both his parents who were separated. Once an adult, he realized that - as a Jew - had he been living in Europe during those same years, his train journeys would not have been as enjoyable and full of exciting discoveries, as had been those from New York City to Los Angeles and back.He visualized three different trains, each traveling before, during and after the Great War, in North America and in Europe. He described those trains in a musical composition by interlocking together train noises, as produced by the string quartet, with human voices from prerecorded tapes. The three movements are titled:- America - Before the War (lasting approximately 9 minutes). This is a happy movement with a regular fast rhythm and a music which successfully replicate the noise of the moving train, complete with whistle, and other special train sounds. The voices on the tape - by Reich's governess Virginia, and by the Pullman porter - repeat the words "from New York to Los Angeles" and "from Chicago to New York", with occasional other train related commentaries, such as "one of the fastest trains", and "different trains every time". The movement leaves the listener with a positive contented feeling.- Europe - During the War (lasting approximately 7 minutes). The mood changes dramatically, once we leave happy carefree America for Europe in the middle of World War II. The cheerful train sounds are gone, as we witness the development of a journey whose final destination is hell. We still hear the sounds describing the moving train, as well as the voices on the tape (provided here by holocaust survivors), making comments regarding the war and some of their personal experiences. But it is no longer a positively charged music. It is the music describing a train taking its passengers to the concentration camps. The atmosphere is somber, and becomes increasingly so, as we approach the end of the journey. As the train pulls into the station, the voice on the tape says: "Flames going up in the sky - It is smoking.......". At the same time the music becomes strident in a manner that evokes the climactic emotions associated with such sight. The movement ends. The listener is left with a sense of anguish and despair comparable to the one that the train passengers must have experienced back in the early 1940`s.- After the War (Europe and America, lasting approximately 10 minutes). The despair and other strong emotions experienced by the passengers on the train during the war are gone, but the music is no longer the happy carefree one of the first movement. It is very sad. So is the listener by the end of the work.- ELECTRIC COUNTERPOINT (1987, approximately 15 minutes long). The second composition in the CD, Electric Counterpoint, is also a minimalist work in three movements. The movements are described as fast, slow fast and are played without interruptions. The work is interpreted by American jazz composer and guitarist Pat Metheny (1954 - ), who prerecorded on tape the sound of ten guitars and two bass parts, then played the 11th guitar live against the sounds on the same tape.Eleven Guitars. How about that for counterpoint!!!!Although technically innovative, the piece is not as captivating as the previous one, at least not on an emotional level. The rhythm/melody are somewhat comparable to the ones of Different Trains, but without the whistle and other train sounds. They remain relatively unchanged during the three movements.The music of this second piece may not stir the same emotions that Different Trains does. But then again, a masterpiece such as Different Trains is not produced every day.Electric Counterpoint may have a better impact on the listener, if available on a separate CD.

se cercherete su Google troverete scritto: il minimalismo nasce negli stati uniti.....niente di più falso! partorito in francia da eric satie battezzato da ravel si evolverà nell'espressionismo! adesso parliamo di questa composizione di reich: come tutto il minimalismo made in usa è di facile ascolto perciò appetibile agli amanti di tutti i generi musicali: ma questa composizione a parecchie marce in più. sopra, un facile ascolto, sotto profonde fondamenta! è un'opera molto razionale ed evocativa, per quartetto d'archi e nastri preregistrati è molto raffinata, dove tutto è razionale; niente è lasciato al caso! nel cd ci dovrebbe essere un libretto esplicativo e non un mesto elenco di nomi che sono le voci recitanti! qui c'è da chiedersi: perché treni diversi? reich nasce a new york nel 1936, mi sembra i suoi genitori divorziano poco dopo e si trasferiscono uno a chigago e l'altro a los angeles. il giudice stabilirà che il bimbo dovrà abitare sei mesi con il padre,sei con la madre: ecco i diversi treni! le voci recitanti sono le originali della sua mamy del personale addetto agli annunci ferroviari dell'epoca, e il sussurro è il suo pensiero che diventa voce. musicalmente funziona così: parte il treno alla prima voce recitante il quartetto segue la "melodia" vocale e sempre così di seguito. nella parte centrale il tempo rallenta repentinamente: si sentono sirene e appare il sussurro: fumo dice... allude alla guerra in corso in europa ai lager e campi di sterminio...e poi la corsa riprende. peccato che nel cd non ci sia il libretto, il mio maestro, sentita in un concerto, nel programma era presente tutto testo, avendolo aiuterebbe molto per comprendere il tutto. mio giudizio: molte cose del minimalismo americano cadranno(se non ci sono già) nel dimenticatoio e anche giustamente, ma questi treni rimarranno nella storia della musica: troppo riduttivo chiamarlo minimalismo....c'è qualche cosa in più

Je connaissais l'œuvre "Different trains" de Steve Reich, on y retrouve ce qui caractérise son langage musical habituel à savoir des enregistrements de conversations comme matériau sonore de base, l'utilisation d'un quatuor à cordes qui évoque la marche du train d'une manière répétitive, des bruitages divers notamment les trains à vapeur des années 30 et 40. Le deuxième mouvement est particulièrement poignant avec les paroles des témoignages des survivants de l'holocauste insérées dans la musique. Quant à Electric Counterpoint, il s'agit d'enregistrements de différents "patterns mélodiques ou rythmiques" à la guitare par Pat Methény (un grand maître de cet instrument qui aime les expériences musicales inédites), le compositeur Steve Reich joue alors sur des effets de déphasages, c'est surprenant, intéressant et agréable à l'écoute.