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Lleva tu creatividad donde quiera que vayas
El operador de bolsillo de fábrica Teenage Engineering PO-16 es un potente sintetizador de plomo y secuenciador para melodías de teclas, todo ello empaquetado en un diseño pequeño y ultraportátil. Con sonido de calidad de estudio, con múltiples motores de sintetizadores reales, incluyendo FM, síntesis sustractiva, mesa de ondas y cuerda modelada física, el PO-16 es perfecto para hacer melodías y acordes simples sobre la marcha.
Utiliza el altavoz integrado para un sonido instantáneo, conecta un par de auriculares para escuchar personal detalladamente o conecta un sistema de altavoces para sacudir la habitación Con tres formas diferentes de escuchar, puedes elegir la experiencia ideal para explorar tu creatividad.
A bordo hay 15 sonidos más una máquina de tambor que puede mejorar usando 16 efectos de arpegio punch-in & estilos de juego de acordes, incluyendo distorsión, bit aplast, retardo de filtros, barridos, tartamudeos, octavas, media notas, baja tasa de muestra, retroalimentación, parámetro lfo y vibrato. Los efectos se pueden ajustar en tiempo real con bloqueos de parámetros, lo que le permite construir su sonido como desee.
Con 16 patrones, 16 patrones de encadenamiento y funciones de secuenciación de pasos, las posibilidades son infinitas
Todos los modelos de operador de bolsillo se complementan perfectamente entre sí. Desde la máquina de tambor, los sintetizadores de graves y plomo hasta la percusión de ruido, las diferentes unidades únicas le permiten iniciar una banda de bolsillo. Utilízalos por separado o conéctalos con la función Jam Sync, la elección es tuya
Especificaciones técnicas:
Tipo: Sintetizador digital - modulación de frecuencia, síntesis de sustracción y componentes de onda: Cirrus Logic DAC, Silicon Labs EFM 32 Gecko MCU, Knowles SpeakerNúmero de fabricantes preestablecidos: 1 Micro Tambor, 15 Sonidos de Síntesis de PlomaNúmero de Efectos: 16 (tipos FX: Bit Crush, Retraso, Distorsión, Filtros, Tartamudeo, Vibrato) Secuenciador: 16 pasos, 16 patrones. Conectores: 1 entrada TRS de 1/8" (3,5 mm) y 1 salida TRS de 3,5 mm. Fuente de alimentación: 2 pilas AAA. Duración de la batería: Aprox. 1 mesDimensiones (profundidad x ancho x alto): 2.5 x 4.0 x 0.8 pulgadas. Peso: 0.1 kg
José Sousa
Comentado en España el 18 de marzo de 2025
Quase tudo o que se poderia de uma pequena engenhoca. Não me sinto confortável a mudar as pilhas, parece que o pcb se vai partir.
GDoobah
Comentado en los Estados Unidos el 26 de febrero de 2019
This is my second Pocket Operator and won't be my last. I absolutely love these little synths.The PO-16 Factory is a versatile melody maker capable of a wide range of sounds. Like all Pocket Operators a little creativity and experimentation will go a long way in getting the most out of your PO-16.Watching some PO-16 videos on YouTube is recommended as the included manual and online manual only cover the very basics.
Indep Museum Tech
Comentado en los Estados Unidos el 24 de octubre de 2019
You can spend a lot of time with one of these. Good sound, especially hooked to external speakers. Still figuring it out, lots of options, amazing for its compact size.
Edward Cardinal
Comentado en los Estados Unidos el 12 de agosto de 2018
I love this widget.Unlike many people who review this, I am not in any way associated with music production. For me it's a kind of expensive audio toy. My kids introduced me to the series of Pocket Operators, and I found it's a lot of fun listening to a complex beat and the synthesized (beepy) notes that I had made myself.The PO-16 Factory lets you set the pitch (no sharps or flats) of a simple series of 'steps' of equal duration. Since each step continues into the next (or can be silent), I consider each to be like an eighth note and set the tempo accordingly. It plays looping through a set of 16 steps called a 'pattern' that you can chain together for longer tunes. Each pattern plays using only one sound/voice/instrument, but there are 16 sounds and you can chain up to 16 patterns. Some of the sounds are just tones but others are more like sound effects.The coolest part to me is what you can do _after_ you write the tune. There are many MANY variations and effects you can apply to the sound, either specific to steps or on-the-fly while playing, and some of that can be recorded live. Jamming and jazzing to a goofy tune I wrote is a great way to waste a few spare minutes (or hours on occasion).The controls were a little strange at first (little push-button switches and knobs), but I got used to them pretty quickly; the documentation is cute but skimpy. All the demos and tutorials start with the beat part, but I suggest you learn how to set the notes first for this particular PO.Pocket Operators can be connected and synchronized using standard audio cables, so the sound can get pretty complex for such little things. I actually started with the PO-32 Tonic, which is n awesome beat-box / drum machine. If beats are more your thing you might consider that. My kids have the Office and Arcade, which each have their own unique set of sounds.So, IMO they're kind of expensive for toys, but I've seen in a lot of the tutorials and demos that many consider this to be high-end amateur enthusiast to low-end professional level equipment. I just know in the end I have a lot of fun playing with this.
Ally
Comentado en los Estados Unidos el 15 de diciembre de 2015
Teene Engineering's Pocket Operators are a game changer. Period. My friend (now bandmate) turned me onto them. He has all three and after playing with each of them I decided to get myself the PO-16. Don't be fooled by their size--these things are POWERFUL! They take a bit of fiddling around to get the hang of and really understand how they work but it becomes second nature once you get it. We hook all 4 together and just jam out for hours with them (and the rest of our equipment). As a guitarist and pianist it had a bit of a learning curve for me but I'm a big fan. It has made a huge difference in my creative process. I find myself bringing it with me if I know I'm gonna be somewhere like a waiting room. Plug in some headphones and I just pass the time getting melodies out of my head and into the synth or just having a little mini jam session. Highly recommended.
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