Walrus Audio MAKO Series R1 Reverberación estéreo de alta fidelidad

Cada vez que muevo las perillas de swell, decay o mix, el decay se pone automáticamente al máximo y me toca mover el switch de modo (A|B|C)

Amazing physical pedal design. Really cool algorithm options. Sound is... Meh. Sounds feedback-esque to me with my rig compared to the Wet (Neunaber) which gets out of the way just beautifully, even when cranked with extremely saturated mix levels. The high-mids on this pedal are just all wrong even when tweaking the high and low cuts. I bet it will be cool for a lot of people, but didn't jive with my guitars and gear. Sticking with the Neunaber.

Walrus Audio knocked it out of the park with this lovely Reverb. Please do yourself a favor, buy this. It's just beautiful and so easy to use. I use mine manily with Synths and Eurorack but, it's amazing!!

El pedal se encontraba ya abierto, simplemente se coloco cinta para que no se saliera, la caja con claras marcas de uso y el pedal inservible, tengo mis pedales alimentados por una fuente ZUMA de Strymon y el pedal presentaba un corto iterno lo cual no encendia. lo probe con otra salida si siempre el mismo resultado. ya solicite el rembolso y compre Otro ya que quiero este producto pero en calidad de Nuevo, si me llega otro usado solizitare otro rembolso de inmediato.

Super high quality and characterful tones? CheckIncredible latch mode worth the price (used) alone? CheckLots of immediacy in adjustments for quick and easy tweaking? CheckHorsepower equivalent of much larger/big box Reverbs (SHARC)? CheckUnfortunately there is so much wasted potential in this pedal it makes it really hard to like. Here are the issues:- Early firmware was terrible, definitely update yours asap as the sounds VASTLY improve!- Going TS instead of TRS massively reduces the flexibility of the pedal as any EXP or Preset expansions can only be done via midi. Total waste as going TRS would have left 2x TRS lines open for expression or preset/bank management. It also means you'd need like 8 cables just to connect the 4 Mako pedals together.- Compact form factor is an illusion - the side mount jacks would have allowed for an 1"-2" wider pedal with top mount jacks and no lost pedalboard space. The Meris line will take up about the same space.- Algorithm knob and swell knob should be switched and the bank switch should have given 3x more sounds/options to tweak- No global individual octave or shimmer controls (see above point)- 4x similar room-ish sounds and 2x big open space sounds with no reverse- Swell is your entire signal and can't be made just the reverb - this drives me NUTS!- Wet/Dry acts weird above 60% (1 oclock) where the wet mix is already more or less 100%, and afterward the dry just gets faded out. This leaves you with no wet change from 60-100% and a volume drop at full wet.- No output volume control - see above point, over 60% it becomes a nuisance to use since it lowers your perceived output.- Clips with hot pickups, even when bypassed (not analog dry through - or at least in the mode that gets rid of the delay when engaging pedals - buffered bypass I think - it clips the bypass signal).- Can't accept line level (see above) and no built in pad. For the price this is ridiculous.- Fiddly preset system - press both switches to change which occasionally misses. 3 presets per bank which is almost worse than 2 given how you have to change them, you have to hit both switches 3 times to get back where you started - makes me nervous thinking about just trying to do that live.- Bank toggle is a total waste of space. It should have been a small OLED or led indicator, freeing up the toggle that you'll never see on a dark stage for other things.- All this for a pedal that retails for the same as a used Big Sky, Space, or Empress Reverb.In the end, its good and the latch is something I've gotten used to on the SLO so it was a major feature for me. However, the sort of 'pro' level expectations of a piece of equipment like this were *not* met. Eventide Space has a pad and can run line level (and has clipping indicator - or at least the Timefactor does), Empress Reverb has input and output volumes and more features (looper/cab sim) but less immediacy. And the Strymon, which I've not used, also accepts line level and has a cab sim and significantly more sounds/banks.This thing is a super hard sell (goes pretty cheap used thankfully), but Walrus gets it right where they usually do - TONE. It sounds rich and full of character, something I couldn't get out of the Empress and don't remember in the Space (didn't have it long). Its got lots of flexibility right on the face - better than all the others but could have easily had more - and allows for 9x presets, if fiddly to get to. Really you get three and need to press both stomps to move around. It works good but Alexander Pedals switching and expansion, by comparison, is lightyears ahead and those are far older. Still, you get a moody, characterful set of reverbs using a chip typically seen for more 'studio' sounds. As a result it sounds far better than most FV-1 reverbs and meshes in with your guitar sound in a way most of the other units don't (by design). If you want a huge, lush reverb to sit 'behind' your signal, this one might be frustrating to use. If you want something vibe-y to mix with it, its worth trying out!

Every feature is a use. I enjoyed it in mono. Then I used the stereo outs and that sound is next level. It’s checks all of the boxes.